I've written a lot about family archives over the past year, but sometimes my readers miss a post or are new to my community. I've listed my posts related to how anyone can learn methods to save their personal and family history.
In the spirit of keeping it real, I'm sending readers a handy cheat sheet, Five Tips for Preserving Family Heirlooms, to shine a little light during a time that can be emotional for us all. "Real" is the key word, because as much as our lives are digital, the tangible world—the real—excites us and connects us as humans.
A gift that celebrates memories is so much more than a present. An occasion for gift giving--the holidays, a birthday, an anniversary--is all about the experience. And everything's better when you enjoy it together.
Here's a list of distinctive gifts for everyone on your nice list. The ties that bind these gifts together is that they cherish the past or create the future.
The most vital aspect of managing a successful archival project is identifying the right problem to be solved. In the cultural heritage sector, too many excellent exciting projects exist, but limited resources hamper seeing them to fruition. Archivists should prioritize projects that add value to the organization.
Projects should reduce costs, expand services, or increase efficiency—and be linked to these objectives from start to finish. Archivists must change their mindset from simply completing a project to strategically implementing the project with business objectives in mind.
Although some archivists debate the necessity for item-level access, it is often more challenging to describe images in the aggregate. Collection-level description can be useful for images of the same subject, but problematic for collections with a variety of subjects, as it neither improves retrieval nor limits the handling of the originals. Group arrangement and description are necessary for large collections or when resources are limited.
Traditionally, archivists have dismissed arrangement at the item level as having little utility and being impractical for modern collections. However, archival surveys conducted over the years have found that a significant proportion of archivists have adhered to item-level description—even though it is contrary to the traditional archival practice of collection-level description. The same discrepancy between literature and practice appears to be true for visual collections.
Rudy Ray Moore has been called “the Godfather of Rap,” and is best known as Dolemite, the lead character of the 1975 film Dolemite, and its sequels, The Human Tornado and The Return of Dolemite. He was one of the greatest blaxploitation stars, highly influencing comedians such as Red Foxx and Richard Pryor and rappers like Snoop Dogg.
In July 1945, Atlantic Monthly published “As We May Think,” by army scientist Vannevar Bush, an essay that had an immense influence on the history of computing. Bush was concerned about the explosion of information without a means to quickly retrieve data.
The article described a device called a Memex, an intuitive, associative retrieval system designed to supplement memory. He envisioned a desk with screens that would allow users to view documents, add notes, and create associations through a body of work.
The Memex was a conceptual ancestor to electronically linked materials and, ultimately, the Internet. Bush’s ideas were expanded by Theodor Nelson who, in 1961, coined hypertext and hypermedia to describe the environment where text, images, and video could be digitally interconnected.