Developing Goals and Objectives for Archival Projects

Developing Goals and Objectives for Archival Projects

Goals and objectives are instrumental in strategic planning for archives because they turn the project’s vision into measurable targets. Goals are the ends towards which a project is directed; objectives are more detailed than goals and explain how goals will be accomplished. With both in hand, archivists build and support the vision for what they wish to achieve with their projects.

Projects should reduce costs, expand services, or increase efficiency—and be linked to these objectives from start to finish. Archivists must change their mindset from simply completing a project to strategically implementing the project with business objectives in mind.

Ethical, Legal, and Cultural Considerations for Digital Archival Projects

Ethical, Legal, and Cultural Considerations for Digital Archival Projects

When digitizing collections, archivists should always take legal and ethical rights into consideration and proceed with caution when documenting culturally sensitive content—with sympathy as to the context of how the materials were collected, and consideration in the manner in which such content is presented.

Sensitive content includes anthropological images, materials related to Native American communities or heritage, or any cultural property. Additionally, it includes items that involve people photographed against their will or in exploitative situations. Please read on for a list of important rights, restrictions and considerations for the ethical archivist.

Identifying Worthwhile Archival Projects

Identifying Worthwhile Archival Projects

The most vital aspect of managing a successful archival project is identifying the right problem to be solved. In the cultural heritage sector, too many excellent exciting projects exist, but limited resources hamper seeing them to fruition. Archivists should prioritize projects that add value to the organization.

Projects should reduce costs, expand services, or increase efficiency—and be linked to these objectives from start to finish. Archivists must change their mindset from simply completing a project to strategically implementing the project with business objectives in mind.

Archives Collection-Level Description: Pros & Cons

Archives Collection-Level Description: Pros & Cons

Although some archivists debate the necessity for item-level access, it is often more challenging to describe images in the aggregate. Collection-level description can be useful for images of the same subject, but problematic for collections with a variety of subjects, as it neither improves retrieval nor limits the handling of the originals. Group arrangement and description are necessary for large collections or when resources are limited.

Archives & Item-Level Description: An Integrated Approach

Archives & Item-Level Description: An Integrated Approach

Traditionally, archivists have dismissed arrangement at the item level as having little utility and being impractical for modern collections. However, archival surveys conducted over the years have found that a significant proportion of archivists have adhered to item-level description—even though it is contrary to the traditional archival practice of collection-level description. The same discrepancy between literature and practice appears to be true for visual collections.

Put Your Weight On It: What Rudy Ray Moore Teaches Us About Work

Put Your Weight On It: What Rudy Ray Moore Teaches Us About Work

Rudy Ray Moore has been called “the Godfather of Rap,” and is best known as Dolemite, the lead character of the 1975 film Dolemite, and its sequels, The Human Tornado and The Return of Dolemite. He was one of the greatest blaxploitation stars, highly influencing comedians such as Red Foxx and Richard Pryor and rappers like Snoop Dogg.