Calvin Coolidge once said, “The chief business of the American people is business.” This is true in many respects, but business has not traditionally received much archival attention.
Archives are not profit-making enterprises, and haven’t always prospered in the for-profit sector. Institutional archives have more likely thrived—or, frankly, at least survived—in government settings, educational institutions, or within religious groups. In addition, business records tend to be misunderstood as huge collections, full of financial records, and hard to manage, especially if the businesses are ongoing. In many ways, business seems to be unscholarly, with a tendency to focus on the future and not the past.
The Influence of Business
Business influences everything in a capitalist society, not just the delivery of goods and services, but as a component of culture and values. Businesses should have archives to document the company’s history, become more efficient, and provide legal protection. Therefore, it is important to understand how businesses changed in the context of other changes in the world. For example, evolutions in transportation and communication, distribution and production, and the integration of mass production with mass distribution have changed both types and quantities of records.
Archivists need to understand business trends to understand potential research use beyond internal use by the business. This becomes important when an outside institution collects records, as there is a history of businesses maintaining their archives and then transferring them to repositories.
The Evolution of Business
American business has evolved in three stages. The first is traditional when small, specialized firms or family partnerships conduct a single function, such as manufacturing. They have one or two owners. In the early days of the business, the tendency was towards oral communication, with written documentation limited to transactions, such as accounting, and some correspondence between partners and agents. Correspondence was less predictable and structured.
The second stage is functionally departmentalized, emerging in the 1880s. Complex firms with sub-units integrated vertically to control all production and distribution phases or horizontally to control greater market shares. The business is separated into departments, such as purchasing, production, and sales. Changes in transportation, production, and communication enabled the expansion of markets, and structures became more complex. These businesses have a more routine flow of information, especially top-down, with memos and reports flowing up. Minutes are viewed as documentary records because they relate to issues rather than simply act as communication between individuals.
The third is multidivisional, which is a decentralized operation common today. They have divisions among products, or sometimes geographically. Some records and communications are companywide; some are at the division level. Each division tends to be autonomous.
Documenting History
There are three ways to document the history of a company: unsolicited donations, surveys, and records schedules. The first two seem accidental, while functional analysis is focused on discovering:
What are the functions?
Which functions are more important?
How does the organization change over time?
Functional analysis may not work as well in a collecting repository. For example, when records are separated from the creating organization, the archivist rarely has a chance to conduct an internal analysis of an ongoing business; businesses are reluctant to open their records to outsiders. Additionally, duplication issues among corporations come into play in ways they would not exist in institutional archives.
Communication Systems
The roles of records changed with each of these stages. Therefore, archivists need to reveal the structure of communication systems within each business. Communication acts as a dynamic system with three interrelated components: organizational structure, communication technology, and records. In addition, communications reflect and embody structure, so lines of authority are often lines of communication.
One of the key issues related to information is whether the corporation is collecting business records, leading to institutional archives—or whether the records are destined for a collecting repository, which will be managed as one of many collections.
Then there is the question of who does the collecting: the businesses or collecting repositories. Archivists in a collecting repository have the advantage of greater neutrality. However, user issues differ depending on primary and secondary audiences, which will affect what archivists collect and how they make it available. No matter who collects, records of enduring value provide a rich legacy of the business and how it has changed throughout its history.
The blog was originally published on Lucidea's blog.
Get Started
Looking for archival advising, records management, and historical research services? Click below to speak with an expert consultant.
Many archives exist within environments of chronic underfunding. Community archives, small historical societies, or lone arrangers may work with little more than donated materials, a handful of volunteers, and minimal budgets.
However, these institutions remain vital, safeguarding the histories of communities often absent from mainstream narratives. Scarcity shapes their reality, yet it can still allow meaningful work.
Humanity produces more digital content than at any other point in history. Every click, message, and post contributes to an expanding universe of data that represents the cultural memory of our time. At the center of this transformation stand archivists, the professionals uniquely trained to ensure that memories survive in the future. However, even as the scale of the challenge grows, their voices risk being sidelined in public conversations about digital preservation.
In recent years, the concept of “slow librarianship” has emerged as a thoughtful response to the accelerating pace and pressures placed upon library professionals. Drawing inspiration from the broader slow movement, it emphasizes care, reflection, ethics, and people-centered work over speed and efficiency.
The archival profession is characterized by dedication to public memory, cultural preservation, and service. However, beneath this noble mission lies a troubling reality: the increasing reliance on gig and contract labor.
Written documents have long occupied a privileged position in archives as the most authoritative memory source. However, this excludes vast repositories of knowledge that reside outside the written word, especially within Indigenous communities, where memory is often preserved and transmitted through oral traditions, performance, storytelling, ceremony, and embodied practices.
Archival description is often treated as a neutral or technical task: summarizing contents, assigning subject headings, and organizing metadata for retrieval. However, description is actually far from neutral. It shapes how users interpret records, which narratives are centered, and whose voices are made visible or erased.
As the archival profession reckons with the legacies of colonialism, more institutions and practitioners are turning toward Indigenous and decolonial approaches that reframe traditional archival practice. Central to this shift is recognizing cultural protocols and community-defined rules governing how knowledge is created, shared, accessed, and preserved. Cultural protocols are foundational to ethical, respectful, and reciprocal relationships between archives and Indigenous communities.
In recent decades, Indigenous communities and archivists have challenged the dominant frameworks that have long shaped archival practice. Traditionally, Western archival models have prioritized state authority, institutional control, and the presumption of neutrality. These models often fail to reflect Indigenous worldviews, community needs, or the rights of Indigenous peoples over their records and heritage.
As archival practice shifts to meet the challenges of the digital age, the ethical use of born-digital materials has become one of the most pressing concerns for archivists. These materials—emails, websites, text messages, digital photographs, spreadsheets, social media posts, and more—are created and stored digitally from their inception.
The fundamental principles of archival preservation focus on the agents of deterioration, preventive conservation, and essential preservation strategies applied in archival settings.
The monetary appraisal of archives and manuscripts is a critical yet underexplored intersection of library science and financial valuation. This article addresses the persistent knowledge gap between archival assessment and fiscal valuation and provides an overview of the monetary appraisal process in the United States. It focuses on concluding the fair market value (FMV) of noncash charitable contributions, a process governed by Internal Revenue Service (IRS) regulations and the Uniform Standards of Professional Appraisal Practice (USPAP). By documenting practices and terminology, the article serves as a resource for archivists navigating the complexities of donor relations and institutional stewardship. It advocates for increased fiscal literacy within the archival profession, suggesting that an integrated understanding of market dynamics and stewardship costs is essential for the care and financial substantiation of collections.
Proper archival storage is one of the most critical aspects of archival preservation. In addition to housing collections in a dedicated archival storage room, using suitable storage materials and enclosures helps protect archival collections from environmental damage, physical wear, and chemical deterioration.
One of the core challenges archivists face is determining the appropriate description level for materials in their collections. From broad collection-level overviews to granular item-level details, descriptive hierarchies play a crucial role in conveying the context and structure of archival materials.
Description is a cornerstone of archival practice, providing the means for users and archivists to understand, access, and interpret materials.
Mixed-media archives, which contain physical and digital records, present unique challenges for archival arrangement. These collections require archivists to develop strategies that address the different needs of physical and digital materials while maintaining the collection’s coherence and accessibility.
Digital records have introduced new challenges to traditional archival arrangement practices. While the principles of original order and provenance remain relevant, the nature of digital materials requires archivists to adapt these principles to new formats and technologies.
Archival arrangement organizes and structures archival materials to ensure efficient management, access, and preservation.
Redaction in archival work—obscuring or removing sensitive information from records—has become a central concern in contemporary archival ethics. As archives increasingly acquire born-digital records and digitize historical collections for online access, archivists must grapple with data privacy, access, transparency, and potential harm.
Archives have traditionally focused on preserving historical records, ensuring access, and maintaining the integrity of collections. However, in the digital age, the moral responsibilities of archivists have grown more complex.
Archives have long been viewed as bastions of memory, preservation, and historical accountability. However, archivists must confront ethical questions in an era of digital surveillance, data harvesting, and global information flows.
As archival institutions evolve from custodians of information to facilitators of memory and meaning-making, emotional engagement has become a vital, though often overlooked, dimension of archival design.
Archival reading rooms have long been the centerpiece of public access to collections. They are where researchers engage with historical documents, where discovery becomes tangible, and where the institutional identity of an archives is most visibly embodied.
Archival discovery tools, such as catalogs, finding aids, search interfaces, and digital repositories, are often the first point of contact between users and collections. These tools serve as maps and compasses, guiding users through vast and often complex holdings.
Design thinking has become a widely adopted approach in fields ranging from technology to education, prized for emphasizing empathy, experimentation, and iterative problem-solving. For archives, traditionally shaped around internal workflows and professional conventions, design thinking presents an opportunity to reimagine outreach and engagement strategies from users’ perspectives.
As the archival profession embraces a broader commitment to accessibility and equity, it must consider how design choices affect neurodivergent archives users.
Transcription is a powerful tool in the effort to make archives more accessible. It transforms handwritten, printed, and audiovisual materials into searchable, readable, and usable text, extending the reach of archival collections to users who might otherwise face barriers to access.
As archives increasingly move into the digital realm, ensuring online accessibility has become a fundamental responsibility. For users who are blind, have low vision, or experience cognitive or motor disabilities, screen readers serve as a vital gateway to digital content. These tools translate onscreen text and interface elements into synthesized speech or Braille, allowing users to navigate websites, databases, and catalogs without relying on visual cues. However, for screen readers to function effectively, digital environments must be designed with intentionality and care. In archival settings, this may be overlooked.
Archives embody the principles of access, stewardship, and service. However, for some users, physical and digital archives remain challenging to navigate, use, or even enter. Barriers to archival access are often unintentional, stemming from outdated facilities, inaccessible technologies, or limited awareness of diverse user needs.
Reference services play a pivotal role in the archival field, acting as a bridge between users and the wealth of information in archival collections.

Well-resourced institutions have developed archival best practices, including comprehensive finding aids, climate-controlled storage, and digital preservation systems. For small or resource-constrained archives, these standards can feel out of reach. The danger is that the profession’s ideals may discourage institutions from taking action, leaving records vulnerable. The solution lies in paring down practices and procedures without abandoning principles.